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The connection Ahyan Aytes are trying to make between Amazon.com’s new digital labot market Amazon Mechanical Turk (AMT) and chess-playing machine is a human brainpower.

Humans are the ones who created technology. Amazon Mechanical Turk was made after failure of the program of finding matching product pages on retail website. After that the project engineers turned “to humans to work behind computers within a streamlined web-based system”, later it was available for “privet contractors” in return for some profit.

Chess played automaton was created and presented in 1770 by Wolfgan von Kempelen at the court of the Empress Maria Theresa of Austria. After the Automaton Chess Player was exhibited for 84 years in Europe and the Americas. The idea of chess-playing machine was completed by IBM’s Deep Blue computer in 1997. In the beginning the idea was to give an expression that “the pipe-smoking Turk mannequin” can play a chess against human being by been controlled by a complicated mechanism. But in the reality it was a person (Kempelen’s chess master assistant) who was just hidden form everyone under the mechanism.

The connection between this two mechanist is very interwoven. When we are in process of doing something, we think that we are dialing with some programs, in Amazon Mechanical Turk example, but in the reality it is just a human who works behind the scene and helps us to accomplish our goal. And in chess playing machine it is the same technic, when we play we thing we are playing against “sophisticated mechanism”, when in reality we are playing against human being. At the end everything have been controlled my human’s power.

It its always a human behind all this, because at the of the day, human knowledge the one made all this happened. Human knowledge helped technology to develop.

Ahyan Aytes takes us deep into the labyrinth of Enlightenment thinking to explain the symbology behind the meaning of the automaton in general and the automaton chess player conceived by Wolfgang von Kempelen. For Aytes the original mechanical turk was a tool for demonstrating the wondrous possibilities of industrialized objects to a credulous public and a system of enclosure for the assistant who secretly maneuvered its inner workings. The apparatus of the machine, enclosing a secret laborer was especially unique in that said laborer’s work was principally cognitive. Unlike other industrial objects that might be manipulated by men only to perform a mechanistic function, it was intelligence itself on display in the case of the mechanical turk. Aytes propounds that the enclosure of cognitive labor within the apparatus of industrial capital is a disturbing analogue to the modern day experience of Amazon’s Mechanical Turks.

Like von Kempelen’s assistant, Turks also function within an apparatus of digitized network enabled labor. They perform the equivalent of piecework in crowds, moving the pieces across the neoliberal chessboard at a depreciated wage, expected to perform their duties mechanistically (according to notions of the Protestant Work ethic that is so essential to capitalism), lest they face unspecified and arbitrary rejection of their work. This cultural labor apparatus reifies conceptions of racist Orientalist docility common in the Enlightenment era, particularly in that many of the Turkers hail from southern Asia.

What is most interesting is Aytes’ notion that the mechanical turk represented almost, but not quite. The ghost in the machine was human, yet anticipatory of future devices which would have their own capacities for semi-autonomous action (i.e. IBM’s Watson), though even those bear the mark of humans as they are programmed by human minds. The crowd which performs the functions of divided mental labor in the case of Amazon’s Mechanical Turk program serves as a kind of circuitry of an integrated system of capitalism. What labor system the turks anticipate in late digital capitalism is anyone’s guess, but it seems reasonable to think it will include disquieting notions of self-regulation and disempowerment.

In “Return of the Crowds,” Ahyan Aytes makes a comparison between the Mechanical Turk with an 18th-century Automaton Chess Player. The connection that Aytes wants to make between a chess-playing machine and Amazon’s new platform is the idea of the relationship between the mind and intelligence of a human being and the intelligence we put forth into machines/technology.
The Mechanical Turk is Amazon.com’s micropayment-based crowdsourcing platform. The idea of the Amazon Mechanical Turk (AMT) came about because of the lack of success of the artificial intelligence systems they used to find copies of product pages on the website. Later, engineers were able to come up with the idea of using bodies to work behind computers to be able to operate a more efficient web-based system. It employs the intelligence of the worker and the machine to act as one to perform different tasks. I view it as when the mind can’t figure something out we go to the machine and vice versa.
Automaton Chess Player, created by Wolfgang von Kempelen, was made to give off a sense that a mannequin, that was being controlled, was able to play a great game of chess against any human player. It was all an illusion because there was an actual chess player that would hide inside and control the machine. It led to the idea that machines were also living beings, which I think further shows the connection that Aytes is trying to make.
Without human intelligence, technology would not exist. We, in some way, created this artificial intelligence. Technology needs the brainpower of humans in order to keep living on and advancing. However, there are certain things that we can’t do that technology can and certain things we can do that technology can’t. In the case of AMTs and the Automaton Chess Player, it is the human’s duty to take control when the technology isn’t intelligent enough to do so.

In “Return of the Crowds,” Ahyan Aytes explains how the name/brand of Amazon.com’s micro-payment-based crowd sourcing platform, Mechanical Turk, was borrowed from one of the 18th century Automaton Chess Player’s name. Amazon established its Mechanical Turk in 2005 after it faced the problem of identifying and finding duplicate product pages on its retail websites, which its artificial intelligence program was supposed to do but failed to do so. This led Amazon.com to hire humans for the completion of this task (which is very easy for humans to do but difficult for machines/computers).

Ahyan Aytes’s connection between Amazon’s Mechanical Turk and the automaton chess player can be explained through the way the Kempelen’s chess player assistant hid under the cabinet as he manipulated the Turk mannequin, giving the impression that the Turk mannequin was actually the one playing chess and beating other players like Napoleon Bonaparte and Benjamin Franklin. This is similar to how Amazon’s Mechanical Turk works. Employers/requesters post human intelligence tasks (HITs) that machines/computers cannot perform. The workers or “turkers” then can choose from the tasks posted, complete the tasks (which do not require a lot of time to do), and get paid (from free to several US dollars) when their work is accepted. Just like in the automaton chess player, it may appear like the computer or application is performing the tasks for the employers, when in fact, it’s humans behind their computer screens (who employers cannot see) actually completing the tasks.

The connection Aytes was trying to make between the chess playing machine from the 18^th century also known as The Turk and Amazon’s new platform Mechanical Turk was the similarities in the motivations behind the creation as well as the function. In 2005, Amazon formed their application called Mechanical Turk (AMT) and a digital labor market was established. Human intelligence tasks (HIT) were presented and workers are paid anywhere from one cent to a few dollars to do tasks as Aytes mentions, “such as transcribing audio, answering surveys, translating text, and gathering information on products.” AMT uses real people instead of artificial intelligence systems to do the work and pays them less than 10,000 a year. 33% of the workers are from India, which makes a big part of their business conducted internationally.

Compared and named after the chess-playing machine from the 18^th century, Mechanical Turk, it impressed many and served as a form of entertainment. The machine was a robot, an automaton that stood over a chessboard and made the audience believe it could play the best game of chess against humans. However it was all an elaborate lie with a human operator controlling the moves giving the illusion that the machine can predict the next move.

She calls Amazon’s Mechanical Turk a “reincarnation” of the chess-playing automaton. Chess-playing machine was a fraud and had someone controlling it from behind the “curtain”. This same concept is being applied to our computers today through Amazon’s mechanical Turk. Tasks and programming is being done through crowdsourcing from regular amateurs, not necessarily computer programmers. Requesters, the companies, are paying out different hourly wages for different tasks. People gravitate to these jobs, however it is difficult to make a living from this small monetary compensation. The labor performance of workers is important and controlled by the digital networks to make a profit for major companies. Multinational companies are using crowdsourcing to maximize on these profits.

Chess playing machine much like the computers we use today has made the audience believe it had power but in reality it all lies behind the scenes. This machine was theorizing the system of labor, almost grooming the mind for production while there are people conducting the work for miniscule compensation.

In Return of the Crowds, Aytes compares Amazon’s crowdsourcing platform, Mechanical Turk, to the Automaton Chess Player also known as “Mechanical Turk” or the “Turk,” that was constructed in the late eighteenth century by Wolfgang von Kempelen and was a popular attraction in Europe. It is easy to comprehend why Amazon chose to name its digital labor market after the chess-playing machine.

The “Turk” was a life-size model, dressed in traditional Turkish garb that appeared to be a formidable chess-playing machine. The presenters of the “Turk” toured Europe challenging opponents to try to beat the automaton that would often win matches against the (human) players. Like a magician, the presenter would make a point of showing the audience that the cabinet under the desk the ‘Turk” sat at was filled with only machinery, as he spun the cabinet around, opening doors. In fact it was all an illusion and there was a chess master hidden inside the desk controlling the chess pieces with the help of magnets and string.

In Amazon’s Mechanical Turk, humans are used to perform Human Intelligence Tasks (HITS) that computers cannot easily do. Amazon turned to humans when its attempt at using artificial intelligence failed at certain tasks. There were some things that the computer could not accomplish – they required human intelligence. But while human beings are performing these tasks, they are “hidden” in a sense, behind the machine, much like the chess player was hidden in the cabinet. The workers (known as “Turkers”) are paid ridiculously small amounts of money per task and they have no direct contact with the “requesters” for whom they are completing the tasks. Amazon promises its clients an online workforce that will make their companies appear brilliant, while the Turkers, like the chess master, stay virtually invisible as they are “pulling the strings.”

Besides the extremely low pay associated with each HIT, Turkers are not even guaranteed to be paid that .01 or .10 agreed upon fee after they complete the task. The requester can accept or reject the work and still keep the rejected work, profiting from it but not paying the worker. Besides not receiving payment, the Turker will receive a lower online rating, making it more difficult to get more work. So the Turker is invisible in more ways than one. The public is made to think that they are dealing with a sophisticated computerized program while the invisible Turkers are working for pennies behind the scenes to maintain the illusion for the companies that utilize Amazon’s Mechanical Turk.

In the reading of “Return to the Crowds”, by Ahyan Aytes, she makes a clear comparison on how things have shifted since that century, but somehow it still remains the same. The automaton Chess player exposes the ideal that artificial intelligence is not enough and is dependent; behind that magnificent player was always someone behind. Moreover, behind Amazon’s platform it is obvious that this systems would not operate if human nature, cognition were not involved. The power of knowledge from individuals is necessary, and the same way Automaton Chess Player operated many years ago still is adapted, “HIT”; meaning, that “ machine denoted a particular type of subjectivity because of the nature of the actors and their limited set of behaviors that are strictly defined within a set of rules in the game of chess”(85). “HIT”  is necessary  for many of this technological platforms. She explains how human intelligence is fundamental. Amazon’s turk, is a form of crowdsource where the work must follow few steps where “HIT” is necessary “human intelligence – humans behaving like machines behaving like humans” and both are combined and are able to create artificial artificial intelligence. In this form of crowdsourcing, things like transcribing audio, tagging videos or content, surveys and psychological evaluations, etc. Also, what I understand is that there are key pieces that are the ones that allow this platform to work and without them it would not be able to function. They are necessary and fundamental in order to work. “If the digital network is the assembly line of cognitive labor, then the Mechanical Turk is its model apparatus. As the network shifts the object of control from the bodies to the collective mind, the Mechanical Turk achieves this objective by foreclosing the mode of collective cultural production to cognitive workers and confining them within the legislative, temporal, and cultural states of exception”.

To understand the connection Ahyan Aytes makes between Mechanical Turk and the 18th-century automaton chess player, first it is imperative to note that Wolfgang von Kempelen’s Automaton Chess Player was not, to use Edgar Allen Poe’s term, a “pure machine,” rather the choices of the automaton were controlled by Kempelen’s living assistant. The automaton’s dependence on human intelligence to operate is the model behind Amazon’s Mechanical Turk. At the automaton’s introduction it was understood to be teachable and under control of its human owner, but it was also a technology that people did not fully understand, in-between thinking of it as a living being and not fully grasping a machine operating when presented with variables. Even the use of the automaton to use the game of chess, it was understood that the finite number of chess moves could be made into code to control mechanics. Through its ability to make human thought like a machine and machine operate like human thought, it had great potential for the future in an industrial cognitive capitalism, in which Amazon later embraced.

If the automaton could make human decisions, a commodity that had always solely belonged to humans until that point, numerous machines operating to replace the need for human thought would decrease the value of the human thought and human action. This, through Amazon’s crowdsourcing platform of Mechanical Turk is exactly what happened. By exploiting labor laws by crossing global boarders and spreading thin the tasks of large jobs through the efforts of thousands of human workers, the work is disguised as if it were done solely by automation (like Kempelen’s Automaton), though truly done by people. The workers now are paid pennies for their unreplicatable (but easily replaceable) efforts. This is the connection Aytes makes between the automaton and Amazon’s Mechanical Turk.

In return of the crowds, Aytes compares Amazon’s micropayment based crowdsourcing platform by comparing it to an 18th Century Automaton Chess Player. Crowdsourcing platforms utilize the public to complete business related tasks that it would ordinarily do for itself. Aytes tries to get us to think about how this has replaced traditional forms of employment. While the labor may not always be free, it still costs less than paying a traditional employee, hence the appeal to corporations. She uses the example of an Indian Human Intelligence Task worker (HIT) and how he made only $572 for 10,000 HIT’s despite having a 98.2% approval rate. While many may argue that he could choose not to do the job, they are overlooking the fact that the corporations target poorer countries so that people are more inclined to do the job for a meager compensation. Aytes states “U.S based Turkers oppose exploitation claims and state their interest in Mechanical Turk is solely motivated by the novelty of the experience. This fact could be explained through the seemingly negligible amount of income that can be earned through AMT for a U.S. based worker.” Crowdsourcing therefore has more benefits for U.S. workers than for those outsourced from other countries.
Aytes also touches on the fact that these workers from other countries are sometimes forced to work much more hours than the typical U.S worker. For example, in Germany, German “guest workers” were expected to work 80 hour work weeks in order to supply the labor needs for post war Germany. These guest workers were paid less than domestic workers and were exploited outside of normal legislations, rights and union protections. All this is done to exploit time zone differences so that businesses can have the needs of their company met 24/7.
The connection Aytes is trying to make to the reader is that both systems are similar. In the Chess Player example, the audience is deceived into believing that there is a sophisticated mechanism capable of playing chess against humans, when in fact it is a person controlling the mechanism. In crowdsourcing, we often think we are dealing with an intelligent computerized program, when in fact there is a person working behind the scene to meet our needs. These businesses want us to believe that technology has advanced to a place where infinite amount of things can be done by a computer program, but it is in fact a deception because there is always a human manpower working to make these things happen.

Ayhan Aytes’ explanation of’ Amazon’s Mechanical Turk by its comparison to the 18th-century Automaton Chess Player, was quite clear – the crowd doesn’t see all the work the people who work for these big, multinational powerhouse crowdsourcing apparatus, rather the false image that has come to be the comfortable and familiar way of interacting with the apparatus, that you don’t see them working furiously behind the scenes.

Immediately, this reminded of the Wiz (or the Wizard of Oz, too); where Richard Pryor is this frail looking man, though to be this great, magnificent power.  He sits way atop his skyscraper, hidden away from everyone else and working furiously behind the scenes, operating the machine by buttons and levers. inside the big head (that is in his audience chamber as his public face).  He does all of this to maintain the personification of what the people believe him to be – though it is all a facade.

the truth is that, these crowdsourcing apparati are intricately linked to the multitudes that offer bit intellectual labor.  The apparatus could not exist without this very type of relationship.  It makes the illusion of effortlessness possible.  The mechanical mind that people see as the power of the Mechanical Turk, is not mechanical at all, rather it is the intellectual power and labor of all the intellectual workers supporting the machine.  Humanity has had a long standing attraction to the idea of the autonomous mechanical mind, but the realization of a viable automated intelligence still has not become a functioning reality, but this frame work seems to be slow falling into place through the crowdsourcing apparatus – a psuedo artifical intelligence, powered by the human element.