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å Thursday, October 22nd, 2015

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% Mahwish Khalid completed

Subcultures are basically branches of one main culture with addition of different adaptions according to different environment and lifestyles and etc. I believe that capitalism and subcultures can’t really exist without one and the other, capitalism needs subcultures to grow bigger and powerful and subcultures need capitalism to put their existence out there.

For example, there’s this artist from South Asia, whose songs reaches the soul and I’m madly in love with his music. Before he became so popular, I was able to get a concert ticket for an affordable price, sit in the front, get to meet, chat and take pictures with him. Now, that half of the world knows him, and music is known worldwide, I’ll be lucky to find a concert ticket for $400 for a seat somewhere in the middle. I still love his music but I was much happier when he he wasn’t so popular and I was able to enjoy his live concerts to the fullest. It’s all great for the artist, and the sponsors but not so great for people like me who loves the live concert experience.

Y Prof. Bullock’s response to Hybrid Assignment 06

In her chapter, Tiziana Terranova (2013:46) describes the excessive activity online that is “free labor,” activity she views as at once both a feature of the cultural economy and a source of value, albeit unacknowledged, for advanced capitalist societies. To elaborate on this concept, she directs our attention to the work of Italian autonomist marxists including Maurizio Lazzarato and Paul Virno. With his concept “immaterial labor,” Lazzarato stresses two different aspects of labor. On one side we have the “informational content” of the commodity or the transition of labor processes once performed by workers to computers and cybernetics. On the other side we have the “cultural content” of the commodity, activities that do not appear as work because they are more a matter of “defining and fixing cultural and artistic standards, fashions, tastes, consumers norms, and, more strategically, public opinion” (see Lazzarato 1996:133).

Connected to Lazzarato’s immaterial labor, is the collective dimension of a networked intelligence that these scholars view as a force in the historical development of capitalism. Paul Virno notes passages in Marx’s Grudrisse where scientific knowledge is described as “the principle productive force” a force that will “[relegate] repetitive and compartmentalized labor to a residual position” (1996:266). No longer driven by human labor, the productive force of capitalism is driven by scientific knowledge, what Marx describes as “incarnate.. in the automatic system of machines” a “horrific monster of metal and flesh” (1996:266).

I highlight these passages relative to the question Terranova raises about subculture so we can begin to recognize some of what is difficult to address in a digital economy and the transition to cultural production online. As I’ve tried to convey with the advertisements and blogs we’ve surveyed, we are tempted to believe that we have within us the elements of a movement to resist capital “from the outside.” Marx himself predicted production would become a process where labor is no longer a governing unity and appears instead “merely as a conscious organ scattered among the individual workers at numerous points of a mechanical system” (Marx 1973:693). We should keep these passages in mind this week, particularly as we move forward to consider Ayhan Aytes’s discussion of the Mechanical Turk.

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% elizabeth completed

Due by midnight Tuesday, October 27th (300-350 words).

In “Return to the Crowds,” Ahyan Aytes explains the source for Amazon.com’s micropayment-based crowdsourcing platform called the Mechanical Turk: from an 18th-century Automaton Chess Player. In your own words, explain the connection Aytes wants to make between a chess-playing machine and Amazon’s new platform.